Finally we’d like to end our announcements with the crew, please welcome…
Sam lives in West London and runs a successful informative website on beauty and style, called Honey-Go Lightly, which you can view here. She has become an integral role behind the scenes for LBP Productions working as our sound recordist for Struggle and The Way to a Man’s Heart.
Jacki currently works as part of management in a nursery, however she has taken time out to keep everyone in line on set. Mainly Jacki will be our set designer, as keeping our social media running throughout the filming.
Salih is a North London Based, Freelance Cinematographer/Videographer and Editor and is known for creating memorable videos and capturing special moments in both video and photo form.
As a resourceful film studies graduate, Salih considers filming, video post-production and video directing to be his craft. Salih takes immense pride in everything he produces and will be our director of photography for both What the Future Holds and A.I.D.E.N.
Aaron has been writing, directing and producing films for over 10 years, namely for his company, Xtreme Productions. He has produced several short films over his time, including silent film, Stockholm, comedy The Interrogation and the intense Just Rewards. You can view them and many others at his YouTube channel here.
Aaron doesn’t only work on his own films, he has also created a number of films as part of commercial projects for high profile clients, such as Visit Suffolk, Cosatto and Papworth Trust. Aaron will be directing the short film The Green Room (which was also written by Aaron) as well as acting as Director of Photography for a couple of the short films.
LEWIS BENJAMIN PECK
Lewis has been writing screenplays for over ten years and has dedicated his time to directing his own (and others) work. Lewis will oversee all five films, directing three of them. He is the main producer and the owner of LBP Productions and his biggest project to date, previously creating Time, Struggle and The Way to a Man’s Heart.